The Goddess Returns
Scored for voice, string quartet and percussion (ghattam)
The Goddess Returns was the centerpiece of a large multi-media work I composed, of the same name, for an Elektra String Quartet performance project in 1999
Performed by: Antigone Foster, vocals
Elektra String Quartet - Mirka Rozmus and Romano Crivici, violins; Rudi Crivici, viola; Markus Hartstein, cello
Interview with Andrew Ford
-ABC Radio national
Romano Crivici
composer & performer
LIST OF COMMISSIONS & PERFORMANCES
1993:
Hardware for string quartet
Song without Words for string quartet
Landscapes for string quartet
All works commissioned and performed by Elektra String Quartet
1994:
Interface for sax, string quartet, video and interactive computer,
Clouds for string quartet
Wind-chimes for string quartet
All works commissioned and performed by Elektra String Quartet
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Home of the Blizzard for piano, percussion and wind instruments.
Performed by Elektra Collektiv at the Sydney Film Festival and 10 Days on an Island Festival (Tasmania) 2003
Commissioned by Sydney Film Festival
“…a taut score took a cool modern look at dated
images of boyish adventurers braving the pole.”
(Hobart Herald)
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1995:
Prelude Groove & Fugue for string quartet and looping device
Mantra for bass clarinet, string quartet
Performed and commissioned by Elektra String Quartet at the Goethe Institute.
1996:
Like Waves on an Ocean for string quartet, didjeridu, electronic percussion, multimedia.
Watching for Kali for quartet and tabla
On and On for string quartet
All works performed and commissioned by Elektra String Quartet
1996:
Bone Flute Project:
Split Point for Sax, string quartet & loop, electronic and Balinese percussion, multi-media
Bone Flute for Sax, string quartet & loop, electronic and Balinese percussion, multi-media
Gone and Surrender for Sax, string quartet & loop, electronic and Balinese percussion, multi-media
Mental Murmurs for Sax, string quartet & loop, electronic and Balinese percussion, multi-media
Performed by Elektra Collektiv at the Goethe Institut
1997:
Clouds for sax, string quartet, didjeridu, percussion and multimedia
Hardware for string quartet
Wind for string quartet
All works commissioned and performed by Elektra String Quartet in Sydney & Melbourne.
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1997:
Pastoral for vln, vla and bass clarinet and didje
Split Point for vln, vla and bass clarinet and didje
Bone Flute for vln, vla and bass clarinet and didje
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For Festival Integrales Contemporary Music Festival, Brisbane.
1999:
Prelude, Groove and Fugue for string quartet
Journey to the Mythical Place for string quartet
Landscapes for string quartet
All works performed by the Arafura Ensemble, Darwin
1999:
Interplanetary Dreaming for soprano, quartet didjeridu, sampler, percussion, and on-stage computer-driven multimedia,
Fullness of Time
Interplanetary Dreaming
All works commissioned and performed by Elektra String Quartet at Sydney Opera House, The Studio
2000:
Haze String quartet, didjeridu, percussion and multimedia
Ebb and Flow String quartet, didjeridu, percussion and multimedia
The Nameless One String quartet, didjeridu, percussion and multimedia
The Rolling Force String quartet, didjeridu, percussion and multimedia
All works commissioned and performed for Reaching the World Festival - Sydney Olympics, 2000
Tour to Argentina, Venezuela, Wales and Germany, 1999
“An original blend of ancient and contemporary sounds
and technologies…the audience was spellbound.”
(Mar del Plata, Argentina. El Capital, 1999)
“…a sampler…multi-layered textures of rhythm and sounds
… moving between tranquillity and dynamic, powerful playing
…they mesmerised the entire audience.”
(New Music Festival: Wurzburg, Germany. Der Main Post)
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2000:
Symphony No 1 As Night follows Day for 2,2/Cor A,2,2, 2 Horns, Strings and Tympani
Commissioned and broadcast by the Australian Broadcasting Corporation, Classic FM.
2000:
Interstellar Song Cycle for alto, quartet and sampler, didjeridu, percussion and on-stage computer-driven multimedia with video.
Wind and Sky (2 motets for solo voice and loop
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All works commissioned and performed by Elektra String Quartet.
2000:
In Times of Change -winds, horn, piano and synths, percussion x3
One in the Rhythm -winds, horn, piano and synths, percussion x 3
Commissioned and performed by Pacific Arts Festival, New Caledonia, and Australian Dept of Foreign Affairs
2001:
The Human Race has got Me Movin’ for voice(s) [Alto with looping device], string quartet and percussion,
All works commissioned and performed by Elektra String Quartet.
“Here the minutiae of the string writing within the evolving,
electronically repeated patterns were flecked with truly
luscious melodies, wafting against a hypnotic beat from
South’s ghatam (clay pot drum)” (Sydney Morning Herald)
2001:
Seeing Blind for voice, sax, clarinets, didjeridu, strings, keyboard, bass and percussion x2.
Commissioned by the Powerhouse Museum, Sydney while composer-in-residence, composing 9 major works, and devising exhibition
Performed by Elektra Collektiv
2004:
Songs of Psyche – Cantata in 9 movements for Voice (Alto) with looping device, violin, viola, keyboards, bass and Percussion.
Performed by Elektra Collectiv at the Sydney Conservatorium Music
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2007:
A Rhythmic Offering, Yeah! for string orchestra
Intro, Allegro & Fade for string orchestra
In Times Of Change for string orchestra, piano, bell
Created as Composer-in-Residence for the Sydney Youth Orchestra
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2008:
Quinkan: Ballet in 7 Movements
Scored: didjeridu, 2,2,2,2, 2 horns, strings, piano, tympani & percussion x 2
Commissioned by Indigenous Arts Board and Fresh Ballet Company; Choreographer Marilyn Miller.
“Romano Crivici’s supportive electronic score sensitively
incorporates Indigenous elements to fulfil Miller’s
requirement of a classically conceived musical composition
...and makes sense of her remarks before the show about
why she had wanted a classical dance score”
(Real Time, vol. 85, June/July 2008)
2008:
Haze (symphonic sketches) for Didjeridu, string quartet, piano and percussion x 2
Commissioned: Australian Govt., Canberra for the Celebrations of the 20th Anniversary of Australian Parliament House
2011:
Heart of the Matter (revised and expanded “Seeing Blind”) 9 movement cycle of works for blind narrator/singer and 12 piece ensemble.
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Recorded and broadcast on ABC Radio National
Funded: Music Board, Australia Council
2012:
Yamatji Man - walking in two worlds for sax, electric viola, jazz bass, didjeridu and guitar, piano and percussion x 2 & multi media
Based on the life story of master didjeridu player Mark Atkins.
Funded by Indigenous Music Theatre/Music Board, Australia Council
Performed by Elektra Collectiv and Mark Atkins at UNSW Thomas Mann Theatre
2014:
Reflections on Life, Death and Transience for 9 works for violin, viola and narrator
Performed on European concert tour, 2014 to Nederlands, Belgium, France as well as numerous Australian performances with the poet Gerald Frape.
Performed by Elektra Duo
2015:
String Quartet No 4 - Undercurrents
String Quartet No 5 - Gregorian Funk
Commissioned: Elektra String Quartet.
Recording project funded by Music Board, Aust Council
Performed Venue 505, Sydney for Sydney Fringe Festival
Winner of Sydney Fringe Festival Genre Excellence Award Best Music Concert
2015:
Slavic Grooves and Meditations for flute, viola, piano, bass and percussion. 5 Mvts 65:00
“Often the most interesting artists are able to reinvent
themselves, Picasso being the ultimate example.
Having carved a career as a composer and violinist
leading the Elektra String Quartet, Romano Crivici has
now returned to his first instrument, piano, and
formed a new ensemble playing compositions that
draw on his Slavic heritage to varying degrees..."
John Shand; Sydney Morning Herald
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Performed on European concert tour, 2014 to Nederlands, Belgium, France.
Performed at Venue 505, Sydney for the Sydney Fringe Festival
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2016:
The Hydra as a Model of Bureaucratic Dysfunction for flute, percussion, piano and poet/narrator
Performed as a collaboration between Elektra Collectiv and the poet Andy Rantzen
Performed at The People's Republic of Camperdown.
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2017:
Ouroborous for electric flute, electric viola, piano and poet/narrator
Performed as a collaboration between Elektra Collectiv and the poet Andy Rantzen
Performed at The People's Republic of Camperdown.
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